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SUPPLEMENT OF THE YEA SPRING INTERIORS SPE FIVE-STAR LUXE FOR LESS Give your home a boutique-hotel makeover WIN A DESIGNER BATHROOM WORTH Ј10,000 CUT AND BLOW-DRY WITH JOHN FRIEDA, ANYONE? Why Britain's top stylists want an appointment with you! ¦iOW WE FELL WITH QUEEN OF COMEDY TINA FEY 1 G21.03.10 you.co.uk mten FASHION AND BEAUTY 6 Fashion forward This season's tribe vibe makes for clashing good looks 9 Mimi Spencer on jewels with purpose; plus, the shades to be scene in 10 Flirty something For elegant summer chic, shirtdresses are right on the button 16 Style notes Show off in statement costume jewellery 19 Beauty news It pays to be elfish if you want to look gorgeous 23 Make-up masterclass Roses rise to every occasion — Jemma Kidd shows how 36 For ever Grace With a major exhibition on her style opening at London's Victoria & Albert Museum next month, we salute the eternal allure of Grace Kelly FEATURES 26 The romcom bombshell Her razor-sharp wit (and her impersonation of a certain Alaskan governor) have made Tina Fey America's most successful female comedian. Now she's playing sexy in the romcom that's rocking Hollywood 30 Cut and blow-dry with John Frieda, anyone? Or highlights with Louise Galvin, maybe? Perhaps a restyle with Nicky Clarke? Britain's top hairdressers are offering you the appointment of your life — and it's all in a fantastic cause 35 In a taxi with...dandy designer Laurence Llewelyn-Bowen 52 The dot.commemoration generation We speak to four women about how creating memorial websites has helped them cope with bereavement HEALTH AND RELATIONSHIPS 45 'I owe my life to my daughter* A mother reveals how becoming pregnant led to a life-threatening illness being detected 48 Wise up to tough love Is it time to put your husband on the naughty step? 99 Health notes by Sarah Stacey 105 Your problems answered by Zelda West-Meads LIVING 57 Five star luxe for less Want to give your home a boutique-hotel update? We show you how, with a little help from three A-list designers, in our 19-page interiors special 67 Win a designer bathroom worth Ј10,000 FOOD 90 Zing-a-ding baking Have some fun in the oven with our twists on old treats REGULARS 5 This life by Charlotte Madison 21 Things you don't know about...plus-size modelling 100 You Gallery 102 YOU crossword 102 Body talk Arpad Busson gives Uma Thurman his full-on attention 104 Horoscopes by Sally Brompton 106 Liz Jones's diary Editor SUE PEART Deputy Editor CATHERINE FENTON Art Director LINDA BOYLE Picture Director EVE GEORGE Assistant Editor (features) ROSALIND LOWE Chief Sub Editor CATHERINE SHEARGOLD She had style, she was Grace Turn to page 36 for our style homage to the Hollywood star turned real-life princess Northcliffe House, 2 Derry Street, London W8 5TS Main switchboard: 020 7938 6000 you.co.uk COVER: TINA FEY photographed by RUVEN AFANADOR/CORBIS THIS PAGE: GRACE KELLY photographed by YOUSUF KARSH/CAMERA PRESS New Ariel with Actilift™ technology helps release stubborn stains trapped in the cotton fibres of your clothes, so dried-in stains lift off with ease. Now that's brilliant. THIS LIFE T he scene below my Apache helicopter is one of devastation: angry flames blossom upwards from the scorched earth, and tracer slices through the air like razor blades. Our men run through the heat and dust, desperately looking for safe ground as they dodge bullets and fight for their lives. My job is to do anything and everything I can to help them get out safely. And then I spot a valid target: a Taliban fighter brandishing a huge rifle, aiming it directly at the group of our soldiers. There is a strange intimacy when I look at the man I am about to kill. I see his face, snatching glances up at me as he darts between trees, trying to hide. I aim and curl my finger around the familiar cold trigger, watching for the impact. As he falls to the ground I feel satisfied. It was a good shot, but beyond that I've been trained not to think. I can't engage in any sort of emotion about taking a life, or the possibility of being killed myself. On a daily basis, we flew through skies riddled with metal, avoiding machine-gun fire and rocket-propelled grenades, dodging death. I knew that if my helicopter were to be hit, I wouldn't know anything about it. I'd be dead in milliseconds. I never planned to become a pilot, but now I can't imagine doing anything else. I started out as an Army recruit at Combined Cadet Force at school, mainly to escape from my all-girls boarding house. I spent my gap year with the Royal Engineers, culminating in four weeks spent in a cramped tank with four men and no shower, lavatory or hairbrush. Just when I thought it would never end, I glanced up and saw a puff of smoke and a helicopter in the sky coming to pick us up. The seed was sown. During university I looked into my options and discovered that flying helicopters for the Army was the only place where women are allowed into combat on the front line. The selection and training were tough. After a year at Sandhurst where I was pushed to my physical and mental limits, I spent 12 months learning to pilot first a plane, and then a helicopter. Mastering it reassured me that I'd chosen what I was born to do, but learning the specifics of going to battle was harder. While On a daily basis, through skies riddled with metal, avoiding H rocket-propelled grenades CHARLOTTE MADISON I tactics and fighting the enemy came I easily to the boys, I struggled to I imagine what war would be like. By the time I was selected, at 23, I to become the first-ever British I female Apache pilot, I felt the weight I of the men's expectations on me; I they thought I was intruding into I their territory and when I walked I into the bar on that first night I was I completely ignored. Two years of Apache training I later, I went to Afghanistan. Our I aim was to help troops on the I ground to restore democracy, but I in reality we were needed to help I them fight their way out of trouble, I raining down rockets and missiles I on anything in their way. Alongside the official job came a I new list of hurdles, the worst being I sacrificing every last inch of my I personal space for up to five months I at a time. I slept two feet away from I the next man down, shared I communal toilets and showers, ate I with them, peed into plastic bags, I flew and killed within feet of my male I colleagues. And as I walked through I the mess room every day, hundreds I of eyes bore into my back, my front I sodden with sweat from the heat of I the cockpit. The isolation would've I been unbearable, had it not been for I my close colleagues, who watched I my back, as I watched theirs. When I came back to the UK, I was struck by the gaping chasm between my home life and military life. It is impossible to explain how it becomes normal to go flying every day, cheating your own death while dishing it out to others. Even for those thousands of soldiers who have seen Afghanistan first-hand, it is difficult to admit to each other what it is that we are asked to do in the name of freedom. As I progressed through my tours of Afghanistan, getting married in between, I began to start adding up the cost of the human lives. The scale became almost too colossal for me to think about. In my third and final tour, the tipping point came when a good friend was killed, with a tidal wave of sorrow, guilt and fear. From then on, I had to make a conscious effort not to consider the effects of what I was doing until I was home. I boxed my feelings away like Tupperware. I'm now back on 'civvy street'. It was time to devote more of my life to my husband. A few months ago I switched on the TV — it was a documentary on the lives of females in Afghanistan. A girl ofl3 or 14 was explaining that her family used to risk being killed because she was being educated in secret. Now she goes to a proper school and plans to go to university. I realised she might now have some of the opportunities I've had and I felt satisfied. I have no regrets. Dressed to Kill by Charlotte Madison is published by Headline Review, Ј14.99* c c c c c c c c z c c c c c YOU 21 MARCH 2010 5 JACKET, Ј70, and BEADED TOP, Ј65, both asos.com. NECKLACE, Ј22, Wallis, tel: 01277 844120. SKIRT, Ј32, Topshop, tel: 0845 121 4519. SHOES, Ј90, Moda in Pelle, modainpelle.com WAISTCOAT, Ј49.99, River Island, tel: 020 8991 4904. JUMPSUIT, Ј310, Pinko, tel: 020 7584 6524. BELT, Ј6, Peacocks, tel: 029 2027 0222. ONYX BANGLES, from Ј72 each, the Branch, tel: 01787 477005. SHOES, Ј49.99, River Island, tel: 020 8991 4904 If DRESS, Ј90, Religion, tel: 020 7613 0606. T-SHIRT (underneath), Ј35, Alternative Apparel, from House of Fraser, tel: 020 7003 4000. NECKLACE, Ј35, Oasis, tel: 01865 881986. BANGLES, from Ј30 each, Mirabelle, tel: 020 7607 7732. BELT, Ј76, Vivienne Westwood, from my-wardrobe.com. SOCKS, Ј11, Falke, tel: 020 7493 8442. SHOES, Ј25, F&F at Tesco, tel: 0800 505555 \ To work spring's global look, think hip not hippie. Let patterns and cultures clash, but keep it modern with strong silhouettes and killer heels 7 FASHION FOR LIFE MIMI SPENCER HOW NOW here are plenty of things about fashion that could usefully be termed feel-good'. The buzz of a brilliant bargain, the angel touch of new cashmere. Then there's the thought that you might just be doing the right thing, making a difference to someone who could do with a helping hand. If you get all forms of feel-good in one gorgeous package, of course, you've pretty much hit the jackpot. So it is with Made, the fair-trade jewellery company that trains Kenyan artisans to turn sustainable local resources into things you and I want to buy. Genius. Regular readers (hello Auntie Annette!) may recall that, some time ago, I went to the slums of Kibera in Nairobi to see this project at work. Three years on, I can hardly believe my eyes. Made, in one form or another, is everywhere. In Whistles, Monsoon, Matches and Phase Eight. In Jigsaw and Stefanel and Urban Outfitters. Did I mention Topshop? And then there's Oxfam Boutique. Made has made itself at home in virtually every corner of the British high street. This is a phenomenal success story — hard won and a tribute to the unceasing work of the company's founder Cristina Cisilino. It hasn't been easy either. During the post-election uprising in 2007, when 1,300 people were killed, Cristina and her husband Gerson provided shelter for Made's workers in their Nairobi home, with beds and babies on every available surface. While many fled the country, they stayed, and the result is right there, right now, in the shops. Cristina, by the way, can spot beauty at 50 paces (I've seen her do it, and it's like watching a hawk on its prey), and she's a stickler for quality, too, in a way that only an Italian could be. The company's success owes much to you, too. Not necessarily personally (unless you already own one of Made's 'paper-chain' necklaces Turning sustainable local resources into things we want to buy, Made is all forms of feel-good in one gorgeous package or a signature beaten-brass pendant), but more generally to a shift in the way many of us shop for fashion. The days of fast and frivolous seem long gone, which explains why Made, in all its splendid diversity, is proving so popular. Little wonder that cool girls are queuing up to get involved: Alexa Chung, Peaches Geldof and Pearl Lowe have already designed pieces for the label, while new recruits to the design team look set to include Francesca Versace (how fab will that be?) and Laura Bailey. For anyone looking to make more of an investment, a top line called Made Unique, designed by the phenomenally talented Pippa Small, is introduced this weekend (otherwise, of course, you can always stick with the high-street collections, which start at Ј15). I have a reclaimed glass pendant by Made for Whistles — a large, lozenge-shaped slice of swirling mauve glass, edged in beaten brass and hung on a chunky chain like a talisman. It always gets compliments. In this season of statement necklaces, I know which statement I want to make. Don't you? made.uk.com E-mail Mimi at mimi@you.co.uk The only sunglasses to be seen in this spring -well, if Nicole, Katie and Demi are to be believed - are Tod's outsized retro frames. The A-listers' faves are available in four fabulous colours. SUNGLASSES, Ј267, Tod's, tel: 020 7493 2237 3ti ooluriG DRESS(made from 100 per cent recycled polyester), Ј29.99, Garden Collection by H&M, tel: 020 7323 2211 NECKLACE (gold-plated recycled brass and glass), Ј175, Pippa Small for Made Unique YOU 21 MARCH 2010
Canada www.travelalberta.com/adventure Ј1450 -- Clockwise from above: Grace, in Givenchy, and Prince Rainier at a White House lunch with the Kennedys in 1961, described in the fashion press as a 'red-hot moment'; Grace's height meant that she could carry off the structural shapes created by couturier Madame Gres — this picture was taken by Snowdon in 1972; Grace in Balenciaga for a visit to Paris in 1959; the couple in November 1956, with Grace in a tailored maternity suit 41 z 2 i 2 Z -muchloved.com z YOU 21 MARCH 2010 53 Fiona and Neil Edwards with their children Ewan and Georgina, and, below, baby Emilia ! i | Remembering a life cut short After her baby Emilia died suddenly last January, aged only nine months, Fiona Edwards built a memorial site that has attracted more than 3,000 visits. Fiona, 34, a primary school teacher, is married to Neil, 44, a property developer, and they live with their two older children Ewan, six, and Georgina, three in Barnt Green, near Birmingham. It happened so suddenly, only ten days after I took the photograph that we used for Emilia's memorial. Emilia was born with a rare cloacal abnormality [where the rectum, vagina and urethra are combined in a common channel] and was waiting for corrective surgery. But she was happy and healthy enough and on the day that she died was just a bit grizzly from teething. We'd picked up my son from swimming and I carried her into the house, still in her car seat, and started to make dinner. When Neil said, 'She doesn't look right,' we called 999, not thinking for a second that we'd lose her. But she died in my arms before the ambulance arrived. It was streptococcus A, a totally random bacterial infection. It was the sheer speed of it... I don't know what I was looking for on the internet - an answer to why it had happened, perhaps? - but I came across Gone Too Soon and read some memorials. It's comforting, in some ways, to think there are others in the same situation; but then you think, 'How awful. How can they cope?', forgetting for a second that it has also happened to you. We wrote Emilia's eulogy on what would have been her first birthday in April; it was something Neil and I wanted to write together. When you start, you almost get hooked. In the middle of the night, when you're not sleeping... what else are you going to do? And I discovered how many other people are up at that time. The website comes alive at midnight and carries on all night: how many people have visited, how many candles have been lit... It got to the point when I had to say to myself, 'You have to let go of this.' I have a core of about ten online friends who light candles for Emilia. It's comforting when people light a candle or send you their thoughts; the first time we went away for a weekend - which was incredibly hard - it helped me to think that somebody else was online, looking out for her. My other two children look at the site, too, and I show them Emilia's photos. They see Mummy crying 'It's comforting when people light a candle or send thoughts' sometimes and say, 'Do you want to write something for Emilia?' She is buried in our local churchyard; we drive past every time we leave the house and shout, 'Good morning, Emilia. Goodnight, Emilia.' She's not a taboo subject; she's part of our family. People have said things like, 'When are you taking her photos down?' But she's not going to be put away. Now I don't feel guilty if I don't go online every day. I might just pop on, light a candle, and say, 'I love you.' In some ways it's like tending
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